G# Persian, Mapped for the Bass

G# Persian runs 7 notes to the octave, laid across this seat's EADG fretboard with every G# marked. A blues phrase is short and keeps coming home to one pitch; the marked notes are where it comes home to.

Intensely exotic — two half-step clusters (b2 against the root, b5 against the 4) and a raised 7th make it the most dramatic of the world scales. Mysterious, ornate, and tense.

Heard in: Persian and Middle-Eastern-flavored melodies, film scoring for desert and ancient settings, and exotic metal and progressive-rock riffs.

On the bass a scale supplies the notes between one chord and the next — the steps a line takes on its way to the change — far more often than it is played as a run.

Whatever scale you start from, the blues bends it: the third and the seventh get pushed flat, or somewhere between flat and natural, and that pull against the chord underneath is most of what the idiom sounds like.