A# Gypsy Major, Mapped for the Guitar

A# Gypsy Major runs 7 notes to the octave, laid across this seat's EADGBE fretboard with every A# marked. A blues phrase is short and keeps coming home to one pitch; the marked notes are where it comes home to.

Brash and colorful — a #2 crushed against the major 3rd and a #4 give it a Lydian-dominant swagger with a Romani twist. Bold, spicy, and unpredictable.

Heard in: Hungarian and Romani folk, Bartok and Liszt, gypsy-jazz flourishes, and fusion lines over dominant chords.

On the guitar a scale is mostly raw material for bends: a note a fret or two below the one you want, pushed up until it sounds right against the chord, which is how a fretted instrument reaches the pitches between its frets.

Whatever scale you start from, the blues bends it: the third and the seventh get pushed flat, or somewhere between flat and natural, and that pull against the chord underneath is most of what the idiom sounds like.