D# Rock 'n' Roll, Mapped for the Guitar

Where D# Rock 'n' Roll lies on this seat's fretboard, and how a blues phrase leans on it.

D# Rock 'n' Roll runs 6 notes to the octave, laid across this seat's EADGBE fretboard with every D# marked. A blues phrase is short and keeps coming home to one pitch; the marked notes are where it comes home to.

Major pentatonic with a b3 rubbed against the natural 3 — bright and bouncy with a bluesy smirk. Playful, swinging, and built for boogie riffs.

Heard in: Fifties rock, rockabilly, boogie-woogie, Chuck Berry-style riffs, and jump blues.

On the guitar a scale is mostly raw material for bends: a note a fret or two below the one you want, pushed up until it sounds right against the chord, which is how a fretted instrument reaches the pitches between its frets.

Whatever scale you start from, the blues bends it: the third and the seventh get pushed flat, or somewhere between flat and natural, and that pull against the chord underneath is most of what the idiom sounds like.