F Gypsy Minor, Mapped for the Guitar

F Gypsy Minor runs 7 notes to the octave, laid across this seat's EADGBE fretboard with every F marked. A blues phrase is short and keeps coming home to one pitch; the marked notes are where it comes home to.

Harmonic minor with a raised 4th — two wide, yearning steps (b3 to #4, b6 to 7) give it a smoldering, theatrical intensity. Dark, exotic, and full of drama.

Heard in: Hungarian and Romani folk, Liszt's Hungarian Rhapsodies, gypsy jazz, klezmer, and neoclassical metal.

On the guitar a scale is mostly raw material for bends: a note a fret or two below the one you want, pushed up until it sounds right against the chord, which is how a fretted instrument reaches the pitches between its frets.

Whatever scale you start from, the blues bends it: the third and the seventh get pushed flat, or somewhere between flat and natural, and that pull against the chord underneath is most of what the idiom sounds like.